Directing Miami Vice and Cagney & Lacey | Jan Eliasberg
Update: 2024-05-08
Description
“I was quite set on theater. I was going to go out to Los Angeles for one year -- and that was it. Then I was going to go back to New York and devote myself to the theater. It didn’t work out that way.” -- Jan Eliasberg
80s TV Ladies "Director Ladies" series continues as Susan and Sharon welcome legendary director Jan Eliasberg. Jan began her television director career in the 1980s with an episode of Cagney & Lacey -- and she went on to be the first female director ever on Miami Vice, Crime Story and 21 Jump Street. She has also directed episodes of Dirty Dancing, L.A. Law, Dawson’s Creek, Party of Five, Sisters, Parenthood, Nashville, Supernatural, Bull and NCIS: Los Angeles. Jan recently published her first novel, Hannah’s War.
In this enlightening conversation, Jan discusses how the American Film Institute (AFI) and “The Original Six” opened up opportunities for her and other female directors; how to navigate directing a network television show for the first time -- and how courage, tenacity and little guile can make all the difference …
THE CONVERSATION
AUDIOGRAPHY
Find out more about Jan at JanEliasberg.com.
Buy Jan’s new novel Hannah’s War at Bookshop.
Read Michael Cieply's 1988 article on Jan and other fired women directors at LA Times.
80s TV LADIES NEWS
Catch 90s TV Baby Serita Fontanesi’s “Not Ugly” podcast at Apple.
CONNECT
80s TV Ladies "Director Ladies" series continues as Susan and Sharon welcome legendary director Jan Eliasberg. Jan began her television director career in the 1980s with an episode of Cagney & Lacey -- and she went on to be the first female director ever on Miami Vice, Crime Story and 21 Jump Street. She has also directed episodes of Dirty Dancing, L.A. Law, Dawson’s Creek, Party of Five, Sisters, Parenthood, Nashville, Supernatural, Bull and NCIS: Los Angeles. Jan recently published her first novel, Hannah’s War.
In this enlightening conversation, Jan discusses how the American Film Institute (AFI) and “The Original Six” opened up opportunities for her and other female directors; how to navigate directing a network television show for the first time -- and how courage, tenacity and little guile can make all the difference …
THE CONVERSATION
- How do you get 10,000 hours of experience when directing requires so much time, money and people: Europe or Yale?
- What can Shakespeare and Ibsen teach you about directing TV? Everything…
- Frances McDormand, Angela Bassett, John Turturo, Tony Shalhoub and Courtney Vance -- how do you quickly figure out what different actors need to create great performances?
- What happens when you direct a play about South African apartheid in St. Louis in the early 1980s?
- On shadowing directors: “I’m already a director -- what am I doing watching these people? I mean, they’re good, but I’m good, too. And that was the kind of confidence -- or maybe you could say arrogance, fearlessness - -that it takes to go into a field that is predominantly male and actually make a dent and get a job.”
- How a twisty game of cat-and-mouse with Barney Rosensweig led to Jan’s first directing gig -- on Cagney & Lacey. (S5, EP13 -- “Act of Conscience”).
- Directing L.A. Law -- and David Kelly’s very first script!
- How asking others for advice is a gift that goes both ways.
- Directing two classic, fan-favorite episodes of Miami Vice.
- Jan gets her first feature film in 1988: How I Got Into College -- but you won’t believe what happened to her on Day Two of filming…
- Past Midnight -- working with the great Rutger Hauer and Natasha Richardson.
- Is the window for women directors opening or closing? Jan gives us her take.
AUDIOGRAPHY
Find out more about Jan at JanEliasberg.com.
Buy Jan’s new novel Hannah’s War at Bookshop.
Read Michael Cieply's 1988 article on Jan and other fired women directors at LA Times.
80s TV LADIES NEWS
Catch 90s TV Baby Serita Fontanesi’s “Not Ugly” podcast at Apple.
CONNECT
- Read transcripts and more at 80sTVLadies.com.
- Get ad-free episodes and exclusive videos on PATREON.
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